Shade of the Moon ls-4 Page 25
He nodded. “I’d like to get there as fast as possible,” he said. “The bikes would make a big difference.”
“They’d make a big difference for us, also,” Syl said. “If you and Opal take them, they’ll be waiting for us when we get to New Harmony. It’s a great idea.”
“Do you have the map?” Jon asked. “I’d like to check the route out.”
“Here,” Syl said. “This is the route Matt showed Alex.”
Jon looked at the map. “It looks pretty straightforward,” he said. “Do you know if there’s a lot of trucking around there? The fewer people who see us the better.”
“Matt said no when Alex asked,” Syl replied. “But there’s always a chance. Sexton’s been sending more and more food to this part of the state. I don’t know what we’d do without their greenhouses.”
“New Harmony isn’t importing food, is it?” Jon asked.
Syl shrugged. “Probably,” she replied. “This is an imperfect world, Jon. The people at New Harmony are trying a different approach, but that doesn’t mean they’re saintly. Don’t go in with illusions. They’ll just break your heart.”
“I saw Mom’s body riddled with bullets,” Jon said. “Any illusions I had died with her.”
“I’m sorry,” Syl said. “I keep thinking of you the way you were in Pennsylvania. We’ve both grown up since then.”
“I’ve done a lot of bad things,” Jon said. “I’m glad they’re not saints in New Harmony. I’d never fit in if they were.”
“I know,” Syl said, and rolled her eyes. “Saint Alex.”
Jon laughed. “He’s lost a lot of his saintliness over the years,” he said. “He called clavers ‘fat asses.’ I heard him.”
“That’s a start,” she said. “If we’re all going to be in New Harmony, I’d better learn to love him.”
“We’ll be a family again,” Jon said.
Syl nodded. “That’s been Matt’s dream for so long now,” she said. “We’ll make it work.”
“Make what work?” Opal asked, coming into the kitchen.
“Life,” Jon said. “Opal, would you like to go to New Harmony with me?”
“What’s New Harmony?” she asked.
“It’s a town about seventy-five miles from here,” Syl replied. “No grubs, no clavers. Just people working together.”
“If you don’t want to, we’ll figure out a way of getting you back to White Birch,” Jon said.
“I can’t go back,” she said. “You know that, Mr. Jon. Ruby’s taken my place and I’ve taken hers.”
“Matt and I are going to move to New Harmony, Opal,” Syl said. “But not for a couple of weeks. If you want, you can stay here until then, and we’ll see about getting you work in Dickerson. They always need girls to do cleaning.”
“So I could be a grub here,” Opal said. “Same as White Birch? Or I could go to this place and take my chances?”
“We’ll all be taking our chances,” Jon said. “I can’t go back, either, Opal. It’s not even safe for me to stay here.”
“You’d make a better grub than I ever thought you would,” Opal said. “All that walking made a real man of you, Mr. Jon. But I guess I’ll see what not being a grub’ll feel like.”
“You weren’t always a grub,” Jon said. “When you were growing up, you weren’t.”
“Oh, Mr. Jon,” Opal said. “Back on the farm the only ones who didn’t think we was grubs was the chickens. You don’t need the name to be a grub.”
“Then this is your chance not to be,” Jon said. “We’re friends, Opal. I could use some friends in my life.”
“Seventy-five more miles,” Opal said. “That’s a whole lot of walking to get to some strange place.”
“Syl’s letting us borrow two bikes,” Jon told her. “We can leave after Gabe wakes up and get to New Harmony by tomorrow afternoon.”
“I don’t know,” Opal said. “I ain’t rode a bike since I was real little. What if I fall?”
“It’s been a long time for me, too,” Jon said. “I’ll be falling, too. We’ll fall together.”
“That’s fair enough,” she said. “When do we start?”
Wednesday, August 12
“You sure this is New Harmony?” Opal asked as they rode their bikes down Main Street.
“I’m pretty sure,” Jon said. “Syl said the town was originally named Westfield, and that’s the exit we took.”
“We took that exit miles ago,” Opal said. “We passed lots of little towns, with no one in them. Maybe one of them was New Harmony.”
“Look,” Jon said, gesturing toward a storefront with a sign: NEW HARMONY MEETING ROOM.
“Looks empty,” Opal said. “Maybe no one’s around to meet us.”
“It’s the middle of the afternoon,” Jon said. “Everyone’s working. Relax, Opal. We’ll find out where Miranda and Alex are, and everything will fall into place.”
“Don’t say that word ‘fall,’” Opal said. “It’s no comfort to me that you fell, too.”
Jon grinned. He’d picked up a couple of bruises. But he and Opal had gotten the hang of it and made great time.
“Let’s say this is New Harmony,” Opal said. “How are we gonna find that sister of yours? You don’t even know their address. And my recollection is people don’t warm up to you much when you go asking.”
“You want to do the asking?” Jon asked.
“They ain’t my family,” Opal said. “You do the finding this time.”
“All right,” Jon said. “I’ll ask in there.”
“It says ‘Health Clinic,’” Opal said. “What makes you think they’re sick?”
“I don’t,” Jon replied. “But I bet Miranda took the baby in first thing. You stay outside with the bikes. I’ll go in and see what I can find.”
“You’ll find trouble,” Opal said, but Jon ignored her. She was scared, and that was how she acted when fear got the best of her. Not that he blamed her. It was one thing to find New Harmony. It was another to know what to do there.
He was relieved the door was unlocked. “Hello?” he called. “Anyone here.”
“Just a second,” a girl called out.
It was Sarah. Jon knew that voice as well as he knew any. Sarah’s voice.
He told himself not to be an idiot. Sarah was in Virginia. That was where he wanted her to be, safe with her powerful uncle. Protected.
But it was Sarah’s voice. And in a matter of seconds it was Sarah Jon was holding. Sarah, lost to him and now found. Sarah, whose tears and laughter he was now sharing.
“Oh, Jon,” she said. “I was so afraid for you. I thought I’d never see you again.”
“What are you doing here?” he asked. “Why aren’t you in Virginia?”
“We never got there,” Sarah replied. “We had to wait until Matt got home, and that took almost a week. Alex drove us to New Harmony, and when I got here, I found a phone and called Daddy. He said you’d disappeared, and Lisa… Oh, Jon, I’m so sorry about Lisa.”
Jon nodded. “What else did he say?” he asked.
“To stay where I was,” she said. “It was the safest place for me to be. He’ll come here when he can get a replacement for the clinic. Did you see Gabe? Is he all right?”
“I told him about Lisa,” Jon replied. “But he doesn’t understand yet. He asked me before we left when Lisa would come. But Syl’s great with him, and when they get here, Gabe will have all his family with him.”
“He’ll love it here,” Sarah said. “I do. The only thing that was missing was you.”
“I’m here now,” he said, and kissed her to prove it. “Miranda and Alex are all right?”
“They’re fine,” Sarah said. “I’ve been staying with them. Now you will be, too. Oh, Jon. I don’t think I’ve ever been so happy.”
Jon didn’t want their next kiss to end. But as it did, he remembered Opal, standing outside, guarding the bikes, waiting for him.
“Come with me,” he said to Sarah. “There’
s someone I want you to meet.” He held her hand as they walked out the door.
“Ruby?” Sarah said, breaking away from Jon. “You brought Ruby here?”
“This is Opal,” Jon said. “Ruby’s twin. Opal, I want you to meet Sarah Goldman. Sarah, this is my friend Opal Grubb. That’s G-R-U-B-B.”
“That your Sarah?” Opal asked. “The one you’re always pining for?”
“The same,” Jon said. “She’s living here now.”
“Well, ain’t that something,” Opal said. “It’s a pleasure to meet you… Sarah. Jon talked my ear off about you from Sexton right here.”
Sarah extended her hand to shake Opal’s. For a moment Opal didn’t know what to do, but then she reached out and shook Sarah’s hand.
“I want you to know nothing happened between Jon and me,” Opal said. “I told him he’d better not try anything funny with me, and he was a perfect gentleman.”
“I think he’s perfect, too,” Sarah said. “And I’m glad he has such a good friend.”
“Opal, would you like to freshen up?” Jon asked. “Sarah, does the clinic have a bathroom?”
Sarah smiled. “With running water,” she said. “There’s a small kitchen, too, Opal, if you’d like to have a drink of water or some food.”
“Wouldn’t mind neither,” Opal said. “And I can see the two of you wouldn’t mind if I left you alone.”
“We’ll be in in a minute,” Jon said.
“Two minutes,” Sarah said.
“Take your time,” Opal said. “You’ll know where to find me.”
Sarah waited until Opal had closed the clinic door behind her. “What happened?” she asked. “How did the two of you end up together?”
“She’s my friend,” Jon replied. “Nothing more. I tricked her into coming with me, and she tricked me into thinking she was Ruby.”
“Trickery and deceit,” Sarah said. “That’s quite a basis for friendship.”
Jon laughed. “I love you,” he said. “And I can’t believe you’re here. Could we put off fighting until tomorrow?”
Sarah’s kiss was all the answer he needed.
Nothing was going to come easy. Jon knew that. Nothing had for four years.
But the sun was visible behind the ash clouds, and with its light, Jon could see a future worth fighting for.
We’ll make it work, he told himself. Together, we can make it work.
Author’s Discussion Topics
• How would things have been different for Jon if Dad had survived the trip to Sexton?
• Would Jon have felt differently about the enclave rules if he hadn’t met Sarah?
• In each of the books with Mom featured, she finds a reason to throw a party. Why do you think socializing was so important to her, even in such dire situations?
• Jon and Miranda both carry a great deal of guilt over Julie’s death. Miranda talks only to Alex about it, while Jon has told no one. How would things have been different if Jon and Miranda had shared their particular truths immediately following Julie’s death?
• The “clavers,” people who live in the Sexton enclave, feel a strong sense of entitlement because the work they do is regarded as essential for human survival. On the other hand, Ruby says she was a “grub,” in effect a manual laborer, long before the cataclysmic events that led to the enclaves being established. Jon, as a “slip,” falls somewhere between the two. Do these sorts of class distinctions exist today, in the real world, in your world? Do you think it’s possible today for grubs to become clavers, or would they, at best, feel like slips?
Author’s Note
Sometimes a writer sees a story as a whole, planning on taking a character from Point A to Point Z, in one volume, or two, or three or more.
Sometimes things just happen.
All four of my “moon” books just happened. It’s lucky for me that they did, but there’s no way I can claim I knew from the very first moment just how things would evolve.
That very first moment was a Saturday afternoon when I had nothing better to do than watch TV. I found an old sci-fi movie called Meteor, and I watched it all the way through, even though I’d seen it before and had a reasonably good idea who would live and who would die by movie’s end.
Eventually the movie did end, and I turned off the TV. That was when I had the idea that literally changed my life. I said to myself, “What would it be like to be a teenager living through a worldwide catastrophe?”
My mind began racing. By evening’s end I knew who the teenager was (a girl named Miranda, living in a small town in Pennsylvania with her mother, her big brother, Matt, and her little brother, Jonny) and what the catastrophe would be (knocking the moon closer to earth, thus strengthening its gravitational pull).
I spent three weeks doing the prewriting. Then I sat down at the computer and began what was the happiest writing experience of my life, creating the book that became Life As We Knew It.
I had decided that first evening that the book would be Miranda’s diary, since I wanted to get the readers as close to the action as possible. And writing a fictional character’s diary is a lot of fun. The story just spills out; it’s almost like taking dictation.
I worked all day long, stopping only when I became so tired I knew it would be a mistake to keep writing. Thanks to the prewriting, I knew where the story was going, but I hadn’t solved every single problem, so there was enough uncertainty that I could change things around and surprise myself on occasion.
It was more fun than work should ever be.
It was my job to write the book and my agent’s job to sell it. She found it a wonderful home with Harcourt (now Houghton Mifflin Harcourt). Kathy Dawson was the first of two excellent editors I’ve worked with there. She helped me tighten the book, and guided it through the publication process.
There was only one problem. I wanted to write a sequel. Even while I was writing Life As We Knew It, I wanted to know what happened next. But Kathy said Harcourt had no interest in a sequel.
There are moments in my life when I’m really smart, and this was one of them. Instead of taking no for an answer, I said, “How about if I write a book about the exact same situation only with a completely different set of characters?”
“Fine,” Kathy said. “Because that’s not a sequel.”
What I didn’t tell Kathy was my intention to write that second book and then a third one, where Miranda from Life As We Knew It would meet the characters from what became The Dead & The Gone. Because I knew someday the people at Harcourt would come to their senses and say, “Of course we want a sequel, only now we want one for both books.”
The Dead & The Gone was more challenging to write. Miranda isn’t exactly like me (for one thing she swims, a skill I’ve never quite developed), but Alex is nothing at all like me. I loved him and his sisters and his friends, and I loved ending the world all over again, but it wasn’t the joyous experience Life As We Knew It had been. On the other hand, I took more pride in it, because it was that much harder to write, so it all balanced out.
The Dead & The Gone was published and I began hectoring Kathy about writing a third book. Mostly she said no, but sometimes she said maybe. I wrote a third book on my own that had very little to do with the first two, but I realized before showing it to her that it was a mistake. So I kept asking and waiting, and eventually Kathy said yes, and we had a long phone conversation where we decided on a plot that had absolutely nothing to do with Miranda and Alex.
Only then she called me back and said, “What we really want is a sequel.”
So I finally got to introduce Alex to Miranda. I wrote This World We Live In, bringing together the characters from the first two books. It was back to Miranda’s diary, and I got the answers to some of the questions I’d been asked by readers. And when Kathy left Harcourt and I began working with Karen Grove, I found my book in the hands of another excellent editor.
I was a happy writer. I’d written a trilogy, a very high-class thing to
do. Life was good.
But people kept writing to ask me if there was going to be a fourth book. And then I took my cat in for his annual checkup, and my vet asked if there was going to be a fourth book.
So I contacted Karen and said, “My vet wants to know if there’s going to be a fourth book. What should I tell him?”
And Karen said, “Do it.”
So I did. I wrote an entire fourth book and sent it off to Karen. She read it. Everyone at Houghton Mifflin Harcourt read it. And although they never actually said so, they hated it.
That should have stopped me. But I loved my characters and I loved the world I’d created and I wanted to make my vet happy. I tried again, and ended up writing the book you’re holding in some format or another at this very moment, The Shade of the Moon.
My vet has since retired, so he probably won’t be asking me if there’s going to be a fifth book. And since I’m writing this before The Shade of the Moon is published, I don’t know if anyone is going to ask me that. Frankly, I don’t even know what I’d want the answer to be, should I ever be asked.
But I do know that watching an old movie on a Saturday afternoon changed my life in a thousand different wonderful ways.
Read More from the Life As We Knew It Series
Visit www.hmhbooks.com to find all of the books in the Life As We Knew It series.
Life as We Knew It
When Miranda first hears the warnings that a meteor is headed on a collision path with the moon, they just sound like an excuse for extra homework assignments. But her disbelief turns to fear in a split second as the entire world witnesses a lunar impact that catastrophically alters the earth’s climate—and results in mass devastation.
Told in Miranda’s diary entries, this is a heart-pounding account of her struggle to hold on to the most important resource of all—hope—in an increasingly desperate and unfamiliar time.
“Each page is filled with events both wearying and terrifying and infused with honest emotions.”